davidcardoso:

basically my relationship

박 산다라 in MISSING YOU(그리워해요) MV 

박 산다라 in MISSING YOU(그리워해요) MV 

박 산다라 in MISSING YOU(그리워해요) MV 

박 산다라 in MISSING YOU(그리워해요) MV 

박 산다라 in MISSING YOU(그리워해요) MV 

박 산다라 in MISSING YOU(그리워해요) MV 

박 산다라 in MISSING YOU(그리워해요) MV 

박 산다라 in MISSING YOU(그리워해요) MV 

박 산다라 in MISSING YOU(그리워해요) MV 

(via butternox-deactivated20140115)

cenobiteme:

Alexander McQueen Fall/Winter 1998 ‘Joan’
"McQueen didn’t really have muses. He was often inspired by women throughout history—people like Catherine the Great, Marie Antoinette, and in this case Joan of Arc. He liked women who he called “doomed women.” The finale of this particular collection involved a woman walking down the runway styled like molten ash that has solidified. And at the end of it, she had centered herself on the catwalk and a ring of fire sprung up around her. He preferred models who were not that well known, or if they were, he liked disguising their features on the runway with treatments that in a way obliterated their identities. So this particular piece is quite typical of McQueen in terms of the fact that it is covering her face. We are totally unaware of who the actual model is. He did really want the artist to focus more on the artistry of the clothes, rather than the identity of the model.” 
cenobiteme:

Alexander McQueen Fall/Winter 1998 ‘Joan’
"McQueen didn’t really have muses. He was often inspired by women throughout history—people like Catherine the Great, Marie Antoinette, and in this case Joan of Arc. He liked women who he called “doomed women.” The finale of this particular collection involved a woman walking down the runway styled like molten ash that has solidified. And at the end of it, she had centered herself on the catwalk and a ring of fire sprung up around her. He preferred models who were not that well known, or if they were, he liked disguising their features on the runway with treatments that in a way obliterated their identities. So this particular piece is quite typical of McQueen in terms of the fact that it is covering her face. We are totally unaware of who the actual model is. He did really want the artist to focus more on the artistry of the clothes, rather than the identity of the model.” 
cenobiteme:

Alexander McQueen Fall/Winter 1998 ‘Joan’
"McQueen didn’t really have muses. He was often inspired by women throughout history—people like Catherine the Great, Marie Antoinette, and in this case Joan of Arc. He liked women who he called “doomed women.” The finale of this particular collection involved a woman walking down the runway styled like molten ash that has solidified. And at the end of it, she had centered herself on the catwalk and a ring of fire sprung up around her. He preferred models who were not that well known, or if they were, he liked disguising their features on the runway with treatments that in a way obliterated their identities. So this particular piece is quite typical of McQueen in terms of the fact that it is covering her face. We are totally unaware of who the actual model is. He did really want the artist to focus more on the artistry of the clothes, rather than the identity of the model.” 
cenobiteme:

Alexander McQueen Fall/Winter 1998 ‘Joan’
"McQueen didn’t really have muses. He was often inspired by women throughout history—people like Catherine the Great, Marie Antoinette, and in this case Joan of Arc. He liked women who he called “doomed women.” The finale of this particular collection involved a woman walking down the runway styled like molten ash that has solidified. And at the end of it, she had centered herself on the catwalk and a ring of fire sprung up around her. He preferred models who were not that well known, or if they were, he liked disguising their features on the runway with treatments that in a way obliterated their identities. So this particular piece is quite typical of McQueen in terms of the fact that it is covering her face. We are totally unaware of who the actual model is. He did really want the artist to focus more on the artistry of the clothes, rather than the identity of the model.” 
cenobiteme:

Alexander McQueen Fall/Winter 1998 ‘Joan’
"McQueen didn’t really have muses. He was often inspired by women throughout history—people like Catherine the Great, Marie Antoinette, and in this case Joan of Arc. He liked women who he called “doomed women.” The finale of this particular collection involved a woman walking down the runway styled like molten ash that has solidified. And at the end of it, she had centered herself on the catwalk and a ring of fire sprung up around her. He preferred models who were not that well known, or if they were, he liked disguising their features on the runway with treatments that in a way obliterated their identities. So this particular piece is quite typical of McQueen in terms of the fact that it is covering her face. We are totally unaware of who the actual model is. He did really want the artist to focus more on the artistry of the clothes, rather than the identity of the model.” 

cenobiteme:

Alexander McQueen Fall/Winter 1998 ‘Joan’

"McQueen didn’t really have muses. He was often inspired by women throughout history—people like Catherine the Great, Marie Antoinette, and in this case Joan of Arc. He liked women who he called “doomed women.” The finale of this particular collection involved a woman walking down the runway styled like molten ash that has solidified. And at the end of it, she had centered herself on the catwalk and a ring of fire sprung up around her. He preferred models who were not that well known, or if they were, he liked disguising their features on the runway with treatments that in a way obliterated their identities. So this particular piece is quite typical of McQueen in terms of the fact that it is covering her face. We are totally unaware of who the actual model is. He did really want the artist to focus more on the artistry of the clothes, rather than the identity of the model.” 

(via lycanthropic)

fashioninquality:

Giambattista Valli Spring Summer 2014 | PFW

(via esobvio)

imgmodels:

Xiao Wen for Vogue’s very first all Instagram Photo Shoot! Follow Xiao on her instagram account here.
imgmodels:

Xiao Wen for Vogue’s very first all Instagram Photo Shoot! Follow Xiao on her instagram account here.
imgmodels:

Xiao Wen for Vogue’s very first all Instagram Photo Shoot! Follow Xiao on her instagram account here.
imgmodels:

Xiao Wen for Vogue’s very first all Instagram Photo Shoot! Follow Xiao on her instagram account here.
imgmodels:

Xiao Wen for Vogue’s very first all Instagram Photo Shoot! Follow Xiao on her instagram account here.
imgmodels:

Xiao Wen for Vogue’s very first all Instagram Photo Shoot! Follow Xiao on her instagram account here.

imgmodels:

Xiao Wen for Vogue’s very first all Instagram Photo Shoot! Follow Xiao on her instagram account here.

(via jessicachu)

lemonlaid:

repouso: CHANNELING ROTHKO
David Jordan Williams (behance) - "The coastline, as I was photographing it over time resembled, to me, a series of Rothko Canvases. As the days progressed I began to notice the ways in which the formal lines of the water and clouds began to shift and change position and tone the more I felt I was working color on canvas. These images were taken in Carmel, California in May 2013."
lemonlaid:

repouso: CHANNELING ROTHKO
David Jordan Williams (behance) - "The coastline, as I was photographing it over time resembled, to me, a series of Rothko Canvases. As the days progressed I began to notice the ways in which the formal lines of the water and clouds began to shift and change position and tone the more I felt I was working color on canvas. These images were taken in Carmel, California in May 2013."
lemonlaid:

repouso: CHANNELING ROTHKO
David Jordan Williams (behance) - "The coastline, as I was photographing it over time resembled, to me, a series of Rothko Canvases. As the days progressed I began to notice the ways in which the formal lines of the water and clouds began to shift and change position and tone the more I felt I was working color on canvas. These images were taken in Carmel, California in May 2013."
lemonlaid:

repouso: CHANNELING ROTHKO
David Jordan Williams (behance) - "The coastline, as I was photographing it over time resembled, to me, a series of Rothko Canvases. As the days progressed I began to notice the ways in which the formal lines of the water and clouds began to shift and change position and tone the more I felt I was working color on canvas. These images were taken in Carmel, California in May 2013."
lemonlaid:

repouso: CHANNELING ROTHKO
David Jordan Williams (behance) - "The coastline, as I was photographing it over time resembled, to me, a series of Rothko Canvases. As the days progressed I began to notice the ways in which the formal lines of the water and clouds began to shift and change position and tone the more I felt I was working color on canvas. These images were taken in Carmel, California in May 2013."
lemonlaid:

repouso: CHANNELING ROTHKO
David Jordan Williams (behance) - "The coastline, as I was photographing it over time resembled, to me, a series of Rothko Canvases. As the days progressed I began to notice the ways in which the formal lines of the water and clouds began to shift and change position and tone the more I felt I was working color on canvas. These images were taken in Carmel, California in May 2013."

lemonlaid:

repousoCHANNELING ROTHKO

David Jordan Williams (behance) - "The coastline, as I was photographing it over time resembled, to me, a series of Rothko Canvases. As the days progressed I began to notice the ways in which the formal lines of the water and clouds began to shift and change position and tone the more I felt I was working color on canvas. These images were taken in Carmel, California in May 2013."

whatmakesherthink:

gifcraft:

Gelatin cubes dropped onto solid surface

I get the weirdest satisfaction from watching this.
whatmakesherthink:

gifcraft:

Gelatin cubes dropped onto solid surface

I get the weirdest satisfaction from watching this.
whatmakesherthink:

gifcraft:

Gelatin cubes dropped onto solid surface

I get the weirdest satisfaction from watching this.

chernova:

Babyboy

Slowly, but surely, it’s time to me to say goodbye to this beautiful city.

(via jessicachu)